Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
Resultados 1-3 de 31
The Smallholders ' Party , a major pre - war party with its roots in the country ,
won an outright majority with 57 per cent of the vote . The Bourgeois Democratic
Party received 1 . 7 per cent , while the parties of the left and centre - left obtained
Initially 60 per cent , of the Board ' s allocation went to major studio projects and
the rest to other companies and individuals . Although this structure of the
Foundation was later to be modified , it appears that most people were satisfied
that the ...
Chapter Three 1 3 In 1930 , the American share of the Hungarian film market was
60 per cent ( compared to 43 per cent in Czechoslovakia , 50 per cent in
Romania , and 65 per cent in Yugoslavia and Albania combined ) . After a slight
fall in ...
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Revolution Reaction and the Talkies
Quotas Foreigners and Coproductions
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Cinema of the Other Europe: The Industry and Artistry of East Central ...
Vista previa limitada - 2003