Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
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The camera is constantly mobile , revealing or hiding action and characters from
the viewer , set against the rolling plains ... little better than repellent - it lacks both
the character development of My Way Home and the hypnotic ingenuity of The ...
and their motivations only suggested . Penelope Houston , writing in Sight and
Sound , talks of the ' hypnotic severity of its action ' and observes that ' No one
can criticise Silence and Cry for disregarding character ; but it is character
He tries to befriend Mrs Rózsa , a mother figure who echoes Gorky ' s famous
character in his 1907 novel Mother ( and the 1926 film by Pudovkin ) , but she
rejects him for what she considers his patronising attitude . A lover , Évi , a dancer
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Revolution Reaction and the Talkies
Quotas Foreigners and Coproductions
Derechos de autor
Otras 8 secciones no mostradas
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Cinema of the Other Europe: The Industry and Artistry of East Central ...
Vista previa limitada - 2003