Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
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It is equally appropriate to reflect and take stock now that , to a great extent , the
dust has settled on the political changes of 1989 - 90 , to attempt to bring our
understanding of Hungarian cinema up to date and suggest a few tentative ideas
Cinemas sprung up all over the city , particularly in the suburbs , although John
Lukacs states that the first ' regular cinema ' opened in November 1899 ( Lukacs
1989 : 178 ) . Whatever the date , a flurry of cinema building followed .
Stanford , California : Hoover Institution Press . Nemes , Károly ( 1985 ) Films of
Commitment : Socialist Cinema in Eastern Europe . Budapest : Corvina .
Nemeskürty , István ( 1961 ) A mozgóképtól a filmművészetig 1907 – 1930 ( From
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