Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
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Far from stabilising , however , the political and military situation continued to be
unpredictable and explosive . The Czechs , Serbs and Croats all wished to stake
out their claim for independent nationhood , while Romania was eager to seize ...
... polarised and the fascists continued to enjoy strong support . Although
allegedly on good terms with a number of prominent Jewish families , Horthy
continued to either encourage or turn a blind eye to further anti - Semitic
In the same year Máriassy went on to make another interesting film with A Glass
of Beer ( Egy pikoló világos ) while Károly Makk ' s Ward 9 ( A 9 - és kóterem ) ,
also in 1955 , continued to demonstrate that he was emerging as a director of ...
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Revolution Reaction and the Talkies
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Cinema of the Other Europe: The Industry and Artistry of East Central ...
Vista previa limitada - 2003