Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
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As in many other countries the importance of the New Wave rests mainly on its
critical reception and its broader influence , historically , within the film community
as a whole . The Hungarian New Wave was hardly an isolated phenomenon :.
... with excellent performances from Kovács and Russian actor Aleksandr
Porokhovshchikov as the Captain , Woyzeck fully deserves its national and
international critical acclaim , but it was not what Hungarian audiences wanted to
Trotsky , Clara Zetkin and Lenin were also critical of Kun for his ' ultraleftism ' (
see Service 1995 : 226 – 7 ; 230 ) . For a critical assessment of 1919 , written only
five years after the events , see Oskar Jászi ' s Revolution and Counter ...
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Revolution Reaction and the Talkies
Quotas Foreigners and Coproductions
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Cinema of the Other Europe: The Industry and Artistry of East Central ...
Vista previa limitada - 2003