Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
Resultados 1-3 de 79
Mihály Kertész / Michael Curtis ( director ) , 1919 , Austria , USA . Béla Lugossi (
actor ) , 1919 , USA . Pál Sugár ( director ) , 1919 . Pál Aczél ( director ) , 1919 .
Ervin Sinkó ( scriptwriter ) , 1919 , France , USSR , returned to Hungary 1945 .
Charles Vidor ( director ) , Germany , worked for UFA . Moved to USA , directed
first feature for MGM in 1932 . Most famous film was Gilda with Rita Hayworth .
1920 - 1945 György Pál Marczincsak / George Pál ( animator ) , Germany ,
Iván Tors ( writer , director , producer ) , 1939 , USA . Most noted for his animal
films such as Clarence the Cross - Eyed Lion ( 1965 ) and the Flipper TV series .
1946 – 1960 András Vajna / Andrew Vajna ( producer ) , 1956 , USA . Co -
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Revolution Reaction and the Talkies
Quotas Foreigners and Coproductions
Derechos de autor
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Cinema of the Other Europe: The Industry and Artistry of East Central ...
Vista previa limitada - 2003