Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
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CHAPTER TEN Documentary , Animation and the Avant - garde My aim was to
produce an effect by its own action , its own tempo and rhythm , instead of the still
fashionable plots that force cinema to ape literature or theatre . - László Moholy ...
There is no Hungarian counterpart to the documentaries of the Grierson team in
Britain , or the more radically inclined Polish ... There was a degree of state
support for documentary film - making between the wars but , not surprisingly
given the ...
Given Hungary ' s situation vis ŕ vis the Soviet Union and the strong documentary
history of that country , it is hardly surprising that , in the late 1940s and through
much of the 1950s , Hungarian documentaries were heavily influenced by their ...
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Revolution Reaction and the Talkies
Quotas Foreigners and Coproductions
Derechos de autor
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Otras ediciones - Ver todas
Cinema of the Other Europe: The Industry and Artistry of East Central ...
Vista previa limitada - 2003