Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
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As well as showing films ( their head waiter , József Bécsi , doubled as
projectionist ) they established a repair and sales business for cameras and in
1908 they formed the Projectograph Company . The café was closed down in
As foreign films were extremely popular and often regarded as superior to the
homegrown product , it is no surprise to find that foreign companies established
themselves in Hungary . The French company Pathé were the first ' colonisers ...
The near monopoly of Projectograph was now being challenged as other studios
and businesses were established . Ungerleider and Neuman responded by
making their own films , while continuing their distribution and marketing activities
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Revolution Reaction and the Talkies
Quotas Foreigners and Coproductions
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Cinema of the Other Europe: The Industry and Artistry of East Central ...
Vista previa limitada - 2003