Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
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21 The event proved so successful ( not least in showcasing the Italian film
industry ) that after 1934 it became an annual ... became embroiled in
controversy and there were frequent accusations of favouritism towards Italian
and German films ...
1988 was in fact unusual , in that there were two Italian films competing with the
Americans . The nearest competition from a Hungarian feature film was Love Till
Second Blood ( Szerelem második vérig ) , directed by György Dobray with 724 ...
There was a degree of state support for documentary film - making between the
wars but , not surprisingly given the right ... Although a number of documentaries
were made , they were often travelogues , tourist films , lightweight essays about
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Revolution Reaction and the Talkies
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Cinema of the Other Europe: The Industry and Artistry of East Central ...
Vista previa limitada - 2003