Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
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Finally , after an explosive confrontation at a wedding party between Máté and
Farkas , the father reluctantly concedes to his daughter ' s wishes . The theme of
the dissatisfied farmer has now replaced that of the saboteur , while the pros and
18 Finally , the output of the new generation of Czechoslovak directors must be
mentioned . Starting with Miloš Forman ' s first release , Black Peter ( 1963 ) , the
films of Věra Chytilová , Jiří Menzel and other graduates of FAMU , the film faculty
Finally , there is probably István Szabó ' s most important film of recent years ,
Sunshine ( A napfény ize , released in Germany as Ein Hauch von Sonnenschein
) , a joint Hungarian - Canadian - German - Austrian - UK production which was ...
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Revolution Reaction and the Talkies
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