Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
Resultados 1-3 de 49
In the wake of one European crash after another , foreign lenders withdrew all
credit lines that could be cancelled . Between 1 May and 13 July 1931 the
Hungarian National bank was obliged to pay out gold and foreign currency to a
value of ...
It was proposed to introduce a quota on foreign films shown in Hungarian
cinemas , an idea said to have originated with Bingert ( Nemeskürty 1968 : 72 ) .
This is similar to models proposed in other European countries , such as
Germany for ...
These were usually films made by foreign production companies . In particular
two films produced by Osso , Spring Shower ( Tavaszi zápor , 1932 ) and
Sentence of the Lake ( Ítél a Balaton , 1933 ) stand out from the run - of - the - mill
films of ...
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Revolution Reaction and the Talkies
Quotas Foreigners and Coproductions
Derechos de autor
Otras 8 secciones no mostradas
Otras ediciones - Ver todas
Cinema of the Other Europe: The Industry and Artistry of East Central ...
Vista previa limitada - 2003