Hungarian Cinema: From Coffee House to MultiplexWallflower, 2004 - 258 páginas Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó (Hungarian Rhapsody, The Red and the White), István Szabó (Mephisto, Sunshine) and Márta Mészaros (Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities. |
Dentro del libro
Resultados 1-3 de 33
Página 3
... give references for these , and other directors , in the notes and bibliography . It may well be the case that in trying to ride these two horses I fall somewhat disastrously between them , and if so I ask the reader's forgiveness in ...
... give references for these , and other directors , in the notes and bibliography . It may well be the case that in trying to ride these two horses I fall somewhat disastrously between them , and if so I ask the reader's forgiveness in ...
Página 92
... give the film a more sociological and historical edge by downplaying the psychological dimensions of the novel ... gives herself to her boss Jenő Weiszhaupt ( Zoltán Várkonyi ) , but Pettersen finds out by chance and although Vera tries ...
... give the film a more sociological and historical edge by downplaying the psychological dimensions of the novel ... gives herself to her boss Jenő Weiszhaupt ( Zoltán Várkonyi ) , but Pettersen finds out by chance and although Vera tries ...
Página 111
... give Tamás Somló , the cameraman's rides the name of ' sight - seeing rides . Because this is what is actually ... gives directions . This is one reason why he prefers post - production dubbing while on location ; if he recorded the ...
... give Tamás Somló , the cameraman's rides the name of ' sight - seeing rides . Because this is what is actually ... gives directions . This is one reason why he prefers post - production dubbing while on location ; if he recorded the ...
Contenido
Introduction | 1 |
Revolution Reaction and the Talkies | 16 |
Quotas Foreigners and Coproductions | 30 |
Derechos de autor | |
Otras 14 secciones no mostradas
Otras ediciones - Ver todas
Términos y frases comunes
actor András anti-Semitism appeared artistic Bacsó became Béla Balázs Béla Tarr Budapest cameraman cent co-productions cultural Despite directed director documentary early Eastern Europe European example fascist feature films Fejős Ferenc Film Academy Film Festival Film Week football foreign films Gaál Gábor German Géza Golden Team György György Lukács Gypsies Gyula Hollywood Horthy Hungarian audiences Hungarian cinema Hungarian film industry Hungarian Film Institute Hungarian film-makers Hungarian Quarterly Hungary's Illés Imre István Szabó János Janovics Jewish Jews József Judit Elek Károly Makk Kertész Kolosvár Korda Kovács Lajos László later Love Lukács Magyar major Mária Márta Mészáros Márton Merry-Go-Round Mihály Miklós Jancsó Nagy Nazi Nemeskürty newsreels number of films organisation Páger Pál Paul Street Boys period Péter play political popular problems Rákosi released Republic of Councils role Romania Romsics Sándor Sára scene Second World shot social Socialist Realism Soviet Union story Szabo's Székely Tamás Tibor Transylvania Zoltán Fábri