Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
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Finally , given that the market share of films from central and eastern Europe in
the European Union is no more than a meagre 0 . 05 per cent ( Closs 2003 ) it is
to be hoped that works of this nature may , in their own small way , help to
The element of song and occasional dance which had featured in a number of
his previous films was brought to the fore and much of the film is given over to
renditions of various revolutionary , radical or other songs , often with new words
Gypsies were therefore given work and housing but , as with so many aspects of
the ' command economy , these plans tended to backfire seriously . The Gypsies
almost always had the lowest paid and dirtiest jobs and housing that was often ...
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Vista previa limitada - 2003