Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
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... it is to be hoped that works of this nature may , in their own small way , help to
address an imbalance which denies European audiences ( and the same is true
in North America ) access to a whole range of fascinating and interesting films .
In the same year Máriassy went on to make another interesting film with A Glass
of Beer ( Egy pikoló világos ) while Károly Makk ' s Ward 9 ( A 9 - és kóterem ) ,
also in 1955 , continued to demonstrate that he was emerging as a director of ...
So it was an interesting and heady mix that Hungarian film - makers sprung on
the public : a young generation eager for the fray but alongside them an older
generation who were by no means past their sell - by date and still had much to
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Cinema of the Other Europe: The Industry and Artistry of East Central ...
Vista previa limitada - 2003