Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
Resultados 1-3 de 37
Part of the reason for this was their political confusion and division over the '
Jewish question : The touchstone of this difference was the racial ( sic ) issue ,
specifically the issue of anti - Semitism . For a while a minority of populists – led
by the ...
Given the intense feelings around the issue of collectivisation it is hardly
surprising that the agricultural struggle films do not tackle this issue head on ,
rather there is an espousal of the virtues of mechanisation , hard work , collective
effort and ...
... Hungarians ( Szent István a magyarok első királya ) ; geographical issues such
as the Tisza ( Hungary ' s second largest river ) and the Hortobágy ; the arts , with
Hungarian Village Art ( Magyar falu művészete ) ; and a number of agricultural ...
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Revolution Reaction and the Talkies
Quotas Foreigners and Coproductions
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Cinema of the Other Europe: The Industry and Artistry of East Central ...
Vista previa limitada - 2003