Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
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One aspect of writing on East European art forms during the period of Stalinism is
the occasional tendency to see the films , or other art objects , as vehicles for
some kind of veiled or hidden ( usually anti - totalitarian ) ' message . Given the ...
... and many Hungarian film - makers had little experience in making the kind of
films that were good box - office performers . There were two major questions .
Firstly , what kind 142 The Walls Come Down: The 'System Change' and After.
Joska , however , has descended into some kind of mental instability and in the
final scene he is visited in a mental institution by the musicologist but , apparently
in a catatonic state , does not respond . It is the kind of film which is open to , and
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Revolution Reaction and the Talkies
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Cinema of the Other Europe: The Industry and Artistry of East Central ...
Vista previa limitada - 2003