Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
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14 Possibly directed by Mihály Kertész ( later to become famous in Hollywood as
Michael Curtiz , the director of Casablanca ) , this film , like so many early
productions , is sadly lost . The near monopoly of Projectograph was now being ...
It is said that , in later life , this remarkable , multitalented man became so
dissatisfied with commercial film - making that he never discussed his , or anyone
else ' s , films . 16 The importance of Fejős ' brief sojurn in Hungary does not ,
The East German edition appeared a year later where it was retitled The Film :
Character and Growth of a New Art ( Der Film : Weden und Wesen einer neuen
Kunst ) . A sizeable portion of Balázs ' work is now available in English . Theory of
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Revolution Reaction and the Talkies
Quotas Foreigners and Coproductions
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Cinema of the Other Europe: The Industry and Artistry of East Central ...
Vista previa limitada - 2003