Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
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Despite this disturbing history , life in the village goes on , a process Fábri was
keen to highlight in the film ; there can be little doubt that many other Hungarians
were living in similar circumstances : Strangely , I was fascinated by the ...
In the economy as a whole , roughly speaking , three periods can be identified : (
i ) 1968 to 1971 - rapid growth in national income and general improvements in
living standards and overall economic performance ; ( ii ) 1972 to 1978 – inflation
Macskássy ploughed a lone furrow and worked in film advertisements to earn a
living . In the late 1930s and early 1940s István Volker experimented with mixing
cartoon animation with live acting but his efforts were hampered by a lack of ...
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Revolution Reaction and the Talkies
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Cinema of the Other Europe: The Industry and Artistry of East Central ...
Vista previa limitada - 2003