Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
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Macskássy remained in Hungary and continued to work in animation trying to
move away from the more commercial side , Halász moved to London in 1936
where , as John Halas ( one half of the Halas and Batchelor partnership ) he
In August 1913 , the family moved again , this time to Vienna . In 1924 , he left
Vienna to pursue his career in Breslau ( now Wrocław in Poland ) and then Berlin
, Paris , London and finally the USA . Having already established a reputation
In 1920 , he moved to Berlin and worked with the Bauhaus group . After a few
years in London ( 1935 - 37 ) , he emigrated to the USA and spent the rest of his
life in Chicago . His films are : Berlin Still Life ( 1926 ) ; Marseille Old Harbour (
1929 ) ...
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Revolution Reaction and the Talkies
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Vista previa limitada - 2003