Hungarian Cinema: From Coffee House to MultiplexWallflower, 2004 - 258 páginas Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó (Hungarian Rhapsody, The Red and the White), István Szabó (Mephisto, Sunshine) and Márta Mészaros (Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities. |
Dentro del libro
Resultados 1-3 de 24
Página 166
... moved to London in 1936 where , as John Halas ( one half of the Halas and Batchelor partnership ) he achieved international prominence , while Kassowitz remained in Hungary and tended to stay in commercial cartoon production . Other ...
... moved to London in 1936 where , as John Halas ( one half of the Halas and Batchelor partnership ) he achieved international prominence , while Kassowitz remained in Hungary and tended to stay in commercial cartoon production . Other ...
Página 208
... moved again , this time to Vienna . In 1924 , he left Vienna to pursue his career in Breslau ( now Wrocław in Poland ) and then Berlin , Paris , London and finally the USA . Having already established a reputation with Bertolt Brecht ...
... moved again , this time to Vienna . In 1924 , he left Vienna to pursue his career in Breslau ( now Wrocław in Poland ) and then Berlin , Paris , London and finally the USA . Having already established a reputation with Bertolt Brecht ...
Página 228
... moved to Berlin and worked with the Bauhaus group . After a few years in London ( 1935–37 ) , he emigrated to the USA and spent the rest of his life in Chicago . His films are : Berlin Still Life ( 1926 ) ; Marseille Old Harbour ( 1929 ) ...
... moved to Berlin and worked with the Bauhaus group . After a few years in London ( 1935–37 ) , he emigrated to the USA and spent the rest of his life in Chicago . His films are : Berlin Still Life ( 1926 ) ; Marseille Old Harbour ( 1929 ) ...
Contenido
Introduction | 1 |
Revolution Reaction and the Talkies | 16 |
Quotas Foreigners and Coproductions | 30 |
Derechos de autor | |
Otras 14 secciones no mostradas
Otras ediciones - Ver todas
Términos y frases comunes
actor András anti-Semitism appeared artistic Bacsó became Béla Balázs Béla Tarr Budapest cameraman cent co-productions cultural Despite directed director documentary early Eastern Europe European example fascist feature films Fejős Ferenc Film Academy Film Festival Film Week football foreign films Gaál Gábor German Géza Golden Team György György Lukács Gypsies Gyula Hollywood Horthy Hungarian audiences Hungarian cinema Hungarian film industry Hungarian Film Institute Hungarian film-makers Hungarian Quarterly Hungary's Illés Imre István Szabó János Janovics Jewish Jews József Judit Elek Károly Makk Kertész Kolosvár Korda Kovács Lajos László later Love Lukács Magyar major Mária Márta Mészáros Márton Merry-Go-Round Mihály Miklós Jancsó Nagy Nazi Nemeskürty newsreels number of films organisation Páger Pál Paul Street Boys period Péter play political popular problems Rákosi released Republic of Councils role Romania Romsics Sándor Sára scene Second World shot social Socialist Realism Soviet Union story Szabo's Székely Tamás Tibor Transylvania Zoltán Fábri