Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
Resultados 1-3 de 40
Törőcsik ' s performance as the happy - go - lucky working - class girl , while
never abandoning the underlying vulnerability of her film persona , is a bravura
piece of acting which does much to lift the film . The 1956 Uprising was a
watershed in ...
Penelope Houston , writing in Sight and Sound , talks of the ' hypnotic severity of
its action ' and observes that ' No one can criticise Silence and Cry for
disregarding character ; but it is character disclosed only in what people do -
never in ...
Each generation attempts to come to terms with , on the one hand , their apparent
assimilation into mainstream Hungarian society and , on the other , the lingering
hostility to their Jewishness which never goes away even after conversion to ...
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Revolution Reaction and the Talkies
Quotas Foreigners and Coproductions
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Cinema of the Other Europe: The Industry and Artistry of East Central ...
Vista previa limitada - 2003