Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
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Translation , Format and Style Translating Hungarian is not particularly easy and
occasionally there isn ' t a direct translation of certain Hungarian words or
phrases . Where particular problems occur I have mentioned these in notes .
through sport , particularly football , in ways which are often more muted in
Western Europe and North America . I hope , therefore , the reader will accept
this chapter as a preliminary exploration into a fascinating area of cultural
The output of Fábri is particularly disappointing after the success and impact of
his three previous films . Now Hungary ' s most popular and best known director ,
Fábri started work on Summer Clouds ( Boland április ) , a lightweight comedy ...
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Cinema of the Other Europe: The Industry and Artistry of East Central ...
Vista previa limitada - 2003