Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
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It is a commonly held opinion that ' the period 1949 – 53 was one of stolid
socialist realism ' ( Cook 1990 : 700 ) but this is a rather one - sided viewpoint . In
general , this negative and dismissive approach is justified , but there are some ...
The four periods and three dividing historical events , of which Romsics speaks ,
are : ( i ) The period of the Austro - Hungarian Empire , the First World War and
the collapse of the Empire . – The Treaty of Trianon . ( ii ) The period of rule under
In this regard Hungary does not follow the ' European model which saw periods
of innovation and steady , if uneven , expansion . ( iii ) The period 1948 to 1989
can be characterised as one of state control , following the Soviet model ,
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