Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
Resultados 1-3 de 29
Their intention was to film the Emperor while walking through the City Park (
Városliget ) and then charge customers to see the resulting moving pictures .
Accordingly , they set up an improvised cinema , which they dubbed the
Ikonograf , in a ...
To ensure even and speedy distribution of state monies , on 24 April 1991 the
Hungarian Motion Picture Foundation ( Magyar mozgokép alaptivány ) was set
up . The Foundation is the channel through which the subsidies must pass , first
to a ...
Idiocies of this kind , fortunately , became rarer as the decade progressed .
Another Fábri project , written by Károly Aszlányi , met a similar fate . To give a
more a balanced picture , however , it should be noted that Fábri made seven
films ( one ...
Comentarios de la gente - Escribir un comentario
Revolution Reaction and the Talkies
Quotas Foreigners and Coproductions
Derechos de autor
Otras 8 secciones no mostradas
Otras ediciones - Ver todas
Cinema of the Other Europe: The Industry and Artistry of East Central ...
Vista previa limitada - 2003