Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
Resultados 1-3 de 56
The Cinema group included Giuseppe De Santis , Alberto Lattuada , Carlo
Lizzani , Luchino Visconti and Umberto Barbaro , who were all , in one way or
another , to play a role in the development of Neorealism . There is no readily
An interesting film , it is , with its chamber - play properties , probably the nearest
Fábri was to come to art cinema . ... Both films are closely linked , not least by the
appearance of the main actor ( Gábor Koncz ) playing Bálint Fábián in one film ...
The play was to be performed at London ' s Royal Court theatre in 1987 but was ,
controversially , taken off shortly before its premiere . The rights and wrongs of
the allegations within the play ( and the manner in which it was abandoned )
Comentarios de la gente - Escribir un comentario
Revolution Reaction and the Talkies
Quotas Foreigners and Coproductions
Derechos de autor
Otras 8 secciones no mostradas
Otras ediciones - Ver todas
Cinema of the Other Europe: The Industry and Artistry of East Central ...
Vista previa limitada - 2003