Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
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Both events and their aftermaths determined much of Hungarian political ,
cultural and economic life right through the 1920s , 1930s and early 1940s . The
disastrous experience of the Councils ensured that many Hungarians , but
Intertwined within these debates , but by no means clarifying the situation , was
the political current of the so - called Third Way ( neither Stalinist / communist nor
fascist / capitalist ) that drew support from various quarters and found its ...
All parties attempted to use film to serve their political ends . There was even a
rough division of labour with each of the main parties supporting particular
directors and screenwriters . As foreign sales of Hungarian films were negligible ,
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Cinema of the Other Europe: The Industry and Artistry of East Central ...
Vista previa limitada - 2003