Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
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Tents , temporarily erected in city parks , were very popular venues for filmshows
and probably attracted a more working - class audience than the high - society
cafés with their clientele of socialites , journalists , writers , businessmen and the
The second question and probably the one of most immediacy was what would
happen to the state subsidy ? Prophets of doom were everywhere and things did
not look good when , in 1991 , the organisers decided to cancel the Budapest ...
Already a popular actor , he was probably the most prominent personality from
the Hungarian film world to support the extreme right and , although a supporter
of the Béla Imredy group , he is reported to have particpated in Ferenc Szálasi ' s
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Revolution Reaction and the Talkies
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Vista previa limitada - 2003