Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
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These were usually films made by foreign production companies . In particular
two films produced by Osso , Spring Shower ( Tavaszi zápor , 1932 ) and
Sentence of the Lake ( Ítél a Balaton , 1933 ) stand out from the run - of - the - mill
films of ...
International co - productions and co - operation picked up momentum in the
1960s . A surprising co - production was the venture with Studio Misr , : Egypt ' s
oldest and most prestigious film studio . Released in 1963 , Two Kids and ...
These were produced mainly at the Hungarian Film Office Studio ( Magyar film
iroda ) . ... Other production companies , such as the small - scale Electra - Film or
Kovács and Faludi , also made Culture Films similar in content and theme to ...
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Revolution Reaction and the Talkies
Quotas Foreigners and Coproductions
Derechos de autor
Otras 8 secciones no mostradas
Otras ediciones - Ver todas
Cinema of the Other Europe: The Industry and Artistry of East Central ...
Vista previa limitada - 2003