Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
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In 1938 Miklós Kispéter published a major study , The Triumphant Film : Film ,
Science , Art ( A győzelmes film : film , tudomanyos , művészet ) , a panoramic
study of film from the early days , including important chapters on sound and the ...
In Hungary , it was published as Film Culture ( Filmkultúra ) . In 1948 , however ,
Balázs was dissatisfied with the original Russian - language version and rewrote
large parts of it for the Hungarian reader . The East German edition appeared a ...
In 1957 , the government , through the Information Bureau , published the first
major official version of the events of 1956 , the so - called ' White Books ' which
ran to four volumes . The title is significant : The Counter - Revolutionary Forces
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Revolution Reaction and the Talkies
Quotas Foreigners and Coproductions
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Cinema of the Other Europe: The Industry and Artistry of East Central ...
Vista previa limitada - 2003