Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
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As Tom Levin points out : Unlike most considerations on film at the time , which
imposed either pedagogical or economic questions on the ' new and beautiful
thing - cinema – Lukács proposes to subject it to an analysis on its own terms
The period from the fall of the Councils until 1923 is often referred to by historians
as the ' Reconstruction , though there may well be a question mark over just how
far that reconstruction ever went . For the minority of film - makers who stayed ...
In 1997 a major step appeared to be taken by MTV when it agreed to match the
funding provided by the Motion Picture Foundation ; however , there is a question
mark regarding the actual amount of funding that has since been committed .
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