Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
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Six films were released in 1954 , nine in 1955 and seven in 1956 – this latter
figure would have been higher but for the 1956 Uprising and its aftermath which
meant that a number of films were either released later in 1957 , or banned .
Of the films released in 1957 , 1958 and 1959 only Márton Keleti ' s Yesterday (
Tegnap , 1959 ) relates directly to 1956 and is , very much , reflective of the
official version of the events . For the hard - liners now restored to power on the
Now Hungary ' s most popular and best known director , Fábri started work on
Summer Clouds ( Boland április ) , a lightweight comedy - romance , in 1957 , but
it was not released until 6 August 1959 . It is difficult to appreciate why this ...
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