Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
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The film went on to receive favourable reviews , particularly in France , where
Cahiers du Cinéma ( who had four reporters , including Truffaut , at the Festival )
began to take note of Fábri giving him frequent coverage and usually favourable
The reporter spends twenty hours in the village ( hence the title ) and unearths a
troubled past which has left its marks on village life and its inhabitants . Fábri
admitted that it would have been difficult for the reporter to have completed LIEBE
György Illés takes up the story about what happened next : In that film ( Twenty
Hours ) there is a reporter whose story , according to the original script was
chronological . When the film was ready , the story seemed to be quite slow
because of ...
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Vista previa limitada - 2003