Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
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Görbe had made his first film appearance in Landslide in a minor role only a few
years previously in 1940 , while this was Szellay ' s first film role . She preferred
the stage and made only a few minor appearances in films during the war .
Enterprises were instructed to maximise profits , and enterprise guidance was in
the form of a complex system of indirect indicators , predominantly taxation and
subsidisation , which performed a role akin to Smith ' s ' invisible hand , but with ...
Nevertheless it is statist in the general sense , i . e . that the state apparatus had a
major role in all aspects of the film industry – everything from the Film Academy ,
film distribution , the studios and government funding operated within a ...
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