Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
Resultados 1-3 de 35
Set in autumn 1953 , the year of Stalin ' s death ( though this is not alluded to in
the film ) , Merry - Go - Round is immediately and obviously different from Fábri ' s
and most other previous films . In the opening scene , a group of circus ...
Here , Máté and Mari dance openly with each other in a scene of rapid cutting ,
frenetic dance music , and a circular motif that repeats the movement of the
merrry - go - round . Pataki and Farkas are unhappy at this open show of
defiance and ...
On Jancsó ' s famous use of extremely long takes Maár has this to say : He is
shooting the enormous grandiose scene again without cutting , in one piece . The
camera – as up to now almost always – is moving on a straight track , riding up ...
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Revolution Reaction and the Talkies
Quotas Foreigners and Coproductions
Derechos de autor
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Cinema of the Other Europe: The Industry and Artistry of East Central ...
Vista previa limitada - 2003