Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
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Clearly cinema had to respond to this challenge and the new films of the 1960s
can be seen within this framework , although the state subsidy for filming meant
that this was only one factor and probably not a major one . Dating the beginning
Feri ' s Gang was yet another comedy , this time about a Hungarian family ' s plan
to fleece German tourists at Lake Balaton , the Hungarian title of the film ( Zimmer
Feri ) being a play on the German words , frequently seen on the roadside ...
that this brief interlude , spent in another culture , is enriching and will affect him
for the rest of his life ; while the film as a whole is an understated but powerful
plea for tolerance and understanding , seen through the eyes of the child .
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Revolution Reaction and the Talkies
Quotas Foreigners and Coproductions
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Cinema of the Other Europe: The Industry and Artistry of East Central ...
Vista previa limitada - 2003