Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
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The situation had not yet deteriorated into one of blatant anti - Semitism ;
Hungary was not yet a totalitarian state . As an indication of both the contradictory
nature of the system and its laxity or openness on certain fronts , in 1931 Lajos
Undoubtedly a brave response , given the situation , but one which ,
unfortunately , made little impression on a worsening situation . The response of
a number of film - makers and other artists to the increasingly ugly name - calling
and , by ...
pushed into an extremely difficult situation which they would simply prefer not be
in . The death of Jutka is conveyed starkly and simply : the Jews who are about to
die are ordered to take off their shoes but we do not see their deaths . There is ...
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Revolution Reaction and the Talkies
Quotas Foreigners and Coproductions
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Cinema of the Other Europe: The Industry and Artistry of East Central ...
Vista previa limitada - 2003