Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
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The old story is told with charm and no little technical skill . ... by Gene Moskowitz
, writing earlier in Variety who thought the film a ' surprisingly lyrical , moving
comedy - drama reminiscent of the best of pre - war love stories ' ( 2 May 1956 ) .
22 Here he was on safer grounds ; this story of a country girl servant ( Mari
Törőcsik ) cruelly exploited by her city employers , could raise few ideological
objections from the authorities , particularly as Fábri made only minor deviations
from the ...
his investigation in twenty hours , and thus the title is symbolic , corresponding to
the twenty years of the film ' s story . The circumstances of the murder are
particularly disturbing as it involves four friends who were the guiding lights
behind the ...
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Revolution Reaction and the Talkies
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Cinema of the Other Europe: The Industry and Artistry of East Central ...
Vista previa limitada - 2003