Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
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An Admiral without a navy in a landlocked country , an Anglophile on whom the
English turned their backs , and a substitute ... Horthy was , however , able to
achieve some kind of national reunification and stabilisation , first by turning on
( Lowry quoted in Higson & Maltby 1999 : 365 ) The Hungarian proposal for a 20 :
1 quota was not discussed and Lowry assumed ( rightly so as events turned out )
that the matter had been quietly dropped . Lowry was not the only visiting ...
As eyes turned to the West , correspondingly , they turned away from the East
and the screening of Soviet films decreased drastically . Video distribution in
Hungary got off to a slow start ; until 1984 all prerecorded video cassettes (
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Cinema of the Other Europe: The Industry and Artistry of East Central ...
Vista previa limitada - 2003