Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
Resultados 1-3 de 33
The newsreel of the May Day rally in Budapest ( number 5 ) , which included a
contingent of film industry workers , was shot by Kertész . By contrast , Red
Report 20 showed workers relaxing in Siofok , a resort town on Lake Balaton (
see Garai ...
The co - operative workers are celebrating in their hall , unaware that the
torrential rain has flattened their wheat crop . Later it is discovered that this is
largely due to the neglect of a group of workers who are hostile to the co -
operative and ...
Originally , Fábri wanted the lone worker , Péter Gilicze , to save the crop by his
individual efforts , but heroic ... and a weakness – showing the determination and
social responsibility of the workers but also the gap between the party and the ...
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Revolution Reaction and the Talkies
Quotas Foreigners and Coproductions
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Cinema of the Other Europe: The Industry and Artistry of East Central ...
Vista previa limitada - 2003