Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
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This is by no means the first book on Hungarian cinema ; writers such as Graham
Petrie , Bryan Burns , David Paul , Catherine Portuges and others have all written
about the subject in one form or another . Unlike such works , this is an attempt ...
Some Jewish writers continued to work by using false names or ' fronts ' ( as a
number of American writers did during the McCarthy era ) but this was hardly a
long - term solution . After the Second Anti - Jewish Law ( Law IV , 1939 ) other ...
A self - taught man who was also well - read , Aczél realised that artists ,
particularly writers , could not be forced to toe any particular Party line ; they
would either maintain a defiant silence ( the initial stance of many writers after
1956 ) , flee ...
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Vista previa limitada - 2003