Hungarian Cinema: From Coffee House to Multiplex
Wallflower, 2004 - 258 páginas
Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.
Resultados 1-3 de 33
Central to this development was a young man , still in his teens , who probably
established the world ' s first regular film review column in a daily newspaper .
Sándor Korda ( later Alexander Korda ) grew up on the bleak Hungarian Plain –
Approximately 13 , 000 people were detained in internment camps , and 350
people were executed , almost three - quarters of whom were young workers (
Litvan 1996 : 144 ) . Whatever talent , old or new , was around at the time , it
could not ...
Directed by new comer István Gaál , this film follows a group of young people as
they grow older and try to come to terms with the death of one of their friends who
drowned while they were on holiday together . Gaál benefited from a ...
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Revolution Reaction and the Talkies
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Cinema of the Other Europe: The Industry and Artistry of East Central ...
Vista previa limitada - 2003