On EloquenceYale University Press, 2008 M10 1 - 208 páginas On Eloquence questions the common assumption that eloquence is merely a subset of rhetoric, a means toward a rhetorical end. Denis Donoghue, an eminent and prolific critic of the English language, holds that this assumption is erroneous. While rhetoric is the use of language to persuade people to do one thing rather than another, Donoghue maintains that eloquence is gratuitous, ideally autonomous, in speech and writing an upsurge of creative vitality for its own sake. He offers many instances of eloquence in words, and suggests the forms our appreciation of them should take. Donoghue argues persuasively that eloquence matters, that we should indeed care about it. Because we should care about any instances of freedom, independence, creative force, sprezzatura, he says, especially when we liveperhaps this is increasingly the casein a culture of the same, featuring official attitudes, stereotypes of the officially enforced values, sedated language, a politics of pacification. A noteworthy addition to Donoghues long-term project to reclaim a disinterested appreciation of literature as literature, this volume is a wise and pleasurable meditation on eloquence, its unique ability to move or give pleasure, and its intrinsic value. |
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Página 7
... natural science , and the often - anonymous or pseu- donymous social or political pamphlet . The high style , natural home of eloquence , might still be practiced , but it could easily be dismissed as picturesque or indeed ridiculous ...
... natural science , and the often - anonymous or pseu- donymous social or political pamphlet . The high style , natural home of eloquence , might still be practiced , but it could easily be dismissed as picturesque or indeed ridiculous ...
Página 10
... natural knowledge from Bacon; the phrases of policy, war, and navigation from Raleigh; the dia- lect of poetry and fiction from Spenser and Sidney; and the diction of common life from Shakespeare, few ideas would be lost to mankind, for ...
... natural knowledge from Bacon; the phrases of policy, war, and navigation from Raleigh; the dia- lect of poetry and fiction from Spenser and Sidney; and the diction of common life from Shakespeare, few ideas would be lost to mankind, for ...
Página 11
... natural tendency to degeneration . ” Still , “ let us make some struggles for our lan- guage . ” 14 Since the middle of the eighteenth century , fears for the health of the English language have been provoked more by in- stances of ...
... natural tendency to degeneration . ” Still , “ let us make some struggles for our lan- guage . ” 14 Since the middle of the eighteenth century , fears for the health of the English language have been provoked more by in- stances of ...
Página 16
... natural or transparent , is designedly opaque , but in a special sense : the aim is to produce a language that , instead of communicating something , reveals its own elemental laws and rhythms . " " 22 “ Instead of communicating ...
... natural or transparent , is designedly opaque , but in a special sense : the aim is to produce a language that , instead of communicating something , reveals its own elemental laws and rhythms . " " 22 “ Instead of communicating ...
Página 36
... natures . ” This poesy may be properly applied to the style of Browne : It is vig- orous , but rugged ; it is learned , but pedantick ; it is deep , but obscure ; it strikes , but does not please ; it commands , but does not allure ...
... natures . ” This poesy may be properly applied to the style of Browne : It is vig- orous , but rugged ; it is learned , but pedantick ; it is deep , but obscure ; it strikes , but does not please ; it commands , but does not allure ...
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Adorno Aeneas agile with temporal Bartleby blue Browne's Cambridge catachresis chapter claim Collected Poems context culture Dante death Derrida Dido Donne English Language Essays expression eyes feeling Finnegans Wake Flaubert Geoffrey Hill gesture gives Guy Davenport Gweneth Hugh Kenner human Hydriotaphia Ibid imagination John John Donne Kenneth Burke King knock Lady Macbeth last line Latin literary Literature live Locke London Madame Bovary means mind modern night Ophelia Oxford passage passion phrase play pleasure poet poetry Professor Hogan prose quence quoted R. P. Blackmur reader reading reason rhetoric rhyme rhythm seems sense sentence Shakespeare silence song without words soul sounds speak speech stanza Stevens story style sweet syllable T. S. Eliot take the train talk temporal intervals things thought tion trans translation tree University Press verbal W. B. Yeats William Empson Woolf writing Yeats