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· P. 64 p. 65

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XXXIV. Of White and Black . . .
XXXV. The Reflection of Colours
XXXVI. The Union of Colours*
XXXVII. Of the Interposition of Air
XXXVIII. The Relation of Distances
XXXIX. Of Bodies which are distanced 68
XL. Of contiguous and separated Bodies 68
XLI. Colours very opposite to each other

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XLII. Diversity of Tints and Colours 69 XLIII. The Choice of Light.....

XLIV. Of certain Things relating to the

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XLVI. Of the Vivacity of Colours * XLVII. Of Shadows........ XLVIII. The Picture to be of one Piece 72 XLIX. The Looking-glass the Painter's

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L. An half Figure, or a whole one before

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LIV. The Quantity of Light and Shade to

be adapted to the Place of the Picture 74

VOL. III.

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LVI. The prudential part of a Painter 75 LVII. The idea of a beautiful Picture 75 LVIII. Advice to a young Painter ** 76 LIX. Art must be subservient to the Painter77 LX. Diversity and Facility are pleasing* 77 LXI. The Original must be in the Head,

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and the Copy on the Cloth LXII. The Compass to be in the Eyes* 79 LXIII. Pride, an Enemy to good Painting * 79. LXIV. Know thyself

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LXV. Perpetually practise, and do easily.

what you have conceived

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LXVI. The Morning most proper for Work81 LXVII. Every Day do something

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APPENDIX.

The following little piece has been constantly annexed to M. DU FRESNOY's Poem. It is here given from the former Editions ; but the liberty has been taken of making some alterations in the Version, which, when compared with the Original in French, appeared either to be done very carelessly by Mr. DRYDEN, or (what is more probable) to be the work of some inferior hand which he employed on the occasion.

M.

THE

SENTIMENTS

OF

CHARLES ALPHONSE DU FRESNOY,

ON THE WORKS OF

THE PRINCIPAL AND BEST PAINTERS

OF THE TWO LAST AGES;

1600 AND 1700.

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