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CAREFULLY REVISED, MUCH ENLARGED, AND CONTINUED TO THE PRESENT TIME.

With Portraits, on Steel, from Original Pictures,

OF RICHARD H. DANA, WILLIAM C. BRYANT, JAMES G. PERCIVAL, HENRY W. LONGFELLOW,
WILLIAM D. GALLAGHER, EDGAR A. POE, PHILIP PENDLETON COOKE,
JAMES RUSSELL LOWELL, AND BAYARD TAYLOR.

Tist 10.118427

PHILADELPHIA:

PARRY AND MOMILLAN,

SUCCESSORS TO A. HART, LATE CAREY & HART.

ENTERED ACCORDING TO ACT OF CONGRESS, IN THE YEAR 1842, BY CAREY & HART, IN THE OFFICE OF THE

CLERK OF THE DISTRICT COURT OF THE EASTERN DISTRICT OF PENNSYLVANIA.

STEREOTYPED BY L. JOHNSON & CO.
PHILADELPHIA.

PRINTED BY T. K. AND P. G. COLLINS.

Preface to the Sixteenth Edition.

By the publication of "THE FEMALE POETS OF AMERICA," in 1849, this survey of American Poetry was divided into two parts. From "THE POETS AND POETRY OF AMERICA" were omitted all reviewals of our female poets, and their places were supplied with notices of other authors. The entire volume was also revised, re-arranged, and in other respects improved.

The book was in the first place too hastily prepared. There was difficulty in procuring materials, and in deciding, where so many had some sort of claim to the title, whom to regard as Poets. There had been published in this country about five hundred volumes of rhythmical compositions of various kinds and degrees of merit, nearly all of which I read, with more or less attention. From the mass I chose about one fifth, as containing writings not unworthy of notice in such an examination of this part of our literature as I proposed to make. I have been censured, perhaps justly, for the wide range of my selections. But I did not consider all the contents of the volume Poetry. I aimed merely to show what had been accomplished toward a Poetical Literature by our writers in verse before the close of the first half century of our national existence. With much of the first order of excellence more was accepted that was comparatively poor. But I believe nothing was admitted inferior to passages in the most celebrated foreign works of like character. I have also been condemned for omissions. But on this score I have no regrets. I can think of no name not included in the first edition which I would now admit without better credentials than were before me when that edition was printed.

The value of books of this description has been recognised from an early period. Besides the few leading authors in every literature whose works are indispensable in libraries to be regarded as in any degree complete, there are a far greater number of too little merit to render the possession of all their productions desirable. The compilations of English poetry by Mr. SOUTHEY, Mr. HAZLITT, Mr. CAMPBELL, and Mr. S. C. HALL, embrace as many as most readers wish to read of the effusions of more than half the

writers quoted in them; and of the qualities of all such, indications are given in criticisms or specimens as will intelligibly guide the lover of poetry to more comprehensive studies. In our own country, where there are comparatively few poets of a high rank, the majority would have little chance of a just appreciation but for such reviewals.

The earliest project for a general collection of Specimens of American Poetry was that of JAMES RIVINGTON, the celebrated royalist printer of New York, who in January, 1773, sent a printed circular on the subject to several persons in the colonies who had reputations as poets, and soon after published in his "Royal Gazette" the following advertisement:

"THE public is hereby notified that the printer of this paper has it in contemplation to publish with all convenient speed a COLLECTION OF POEMS by the FAVORITES of the MUSES in America, on the same plan with DODSLEY'S celebrated English Compilation. Such ladies and gentlemen, therefore, as will please to honour the attempt with their productions, (which will be treated with the utmost impartiality by a gentleman who hath undertaken to conduct the publication,) will confer a favor on the public in general, and particularly on their much obliged and very humble servant, JAMES RIVINGTON.

The execution of RIVINGTON'S design was prevented by the approaching revolution, and no such book appeared until 1791, when MATTHEW CAREY brought out his "Beauties of Poetry, British and American," in which selections are given from nineteen native writers. In 1793 the first of a proposed series of volumes of "American Poems, Selected and Original," was printed in Litchfield, Connecticut, under the editorial supervision of RICHARD ALSOP. It is curious and interesting, and students in our literary history will regret that its sale did not warrant a completion of the undertaking. In 1794 "The Columbian Muse, a Selection of American Poetry by various Authors of established Reputation," appeared from the press of J. CAREY, in New York. The next publication of this kind was the comprehensive and judicious "Specimens of American Poetry, with Critical and Biographical Notices," in three volumes, by Mr. SAMUEL KETTELL, in 1829; followed in 1831 by Dr. CHEEVER'S "American Common-Place Book of Poetry, with occasional Notes ;" in 1839 by "The Poets of America, illustrated by one of her Painters," edited by Mr. KEESE, and in the same year by "Selections from the American Poets," by Mr. BRYANT.

Since the reconstruction of the present work, in the eleventh edition, the sale has been still greater than previously, and I have now added many new authors, and notices of the new productions of authors already mentioned, with additional extracts.

No. 22, WEST TWENTYTHIRD STREET, NEW YORK, 1855.

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