In censure1 of his seeming. Ho. Well, my lord; If he steal aught, the whilst this play is playing, Ham. They are coming to the play; I must be idle : Get you a place. Danish march. A florish. Enter KING, QUEEN, POLONIUS, OPHELIA, ROSENCRANTZ, GUILDENSTERN, and others. King. How fares our cousin Hamlet? Ham. Excellent, i'faith; of the camelion's dish: I eat the air, promise-crammed: you cannot feed capons so. King. I have nothing with this answer, Hamlet; these words are not mine. Ham. No, nor mine now.—) -My lord, you played once in the university, you say? [to Polonius. Po. That did I, my lord; and was accounted a good actor. Ham. And what did you enact? Po. I did enact Julius Cæsar: I was killed i' the Capitol; Brutus killed me. Ham. It was a brute part of him to kill so capital a calf there. Be the players ready? Ro. Ay, my lord; they stay upon your patience. Queen. Come hither, my dear Hamlet; sit by me. 1 Opinion. Ham. No, good mother; here's metal more attractive. Po. O, ho! do you mark that? Oph. No, my lord. [to the King. [lying down at Ophelia's feet. Ham. I mean, my head upon your lap? Oph. Ay, my lord. Ham. Do you think I meant country matters ? Oph. I think nothing, my lord. Ham. That's a fair thought to lie between maids' legs. Oph. What is, my lord? Ham. Nothing. Oph. You are merry, my lord. Ham. Who, I? Oph. Ay, my lord. Ham. O! your only jig-maker. What should a man do but be merry? for, look you, how cheerfully my mother looks, and my father died within these two hours. Oph. Nay, 'tis twice two months, my lord. Ham. So long? Nay, then let the devil wear black, for I'll have a suit of sables.1 O heavens ! die two months ago, and not forgotten yet? Then there's hope, a great man's memory may outlive his life half a year; but, by 'r lady, he must build churches then, or else shall he suffer not thinking The richest dress. on, with the hobby-horse, whose epitaph is,For, O, for, O, the hobby-horse is forgot.' Trumpets sound. The dumb show follows. Enter a KING and a QUEEN very lovingly, the Queen embracing him and he her: she kneels, and makes show of protestation unto him: he takes her up, and declines his head upon her neck; lays him down upon a bank of flowers: she, seeing him asleep, leaves him. Anon, comes in a fellow, takes off his crown, kisses it, and pours poison in the King's ears, and exit. The Queen returns, finds the King dead, and makes passionate action. The poisoner, with some two or three mutes, comes in again, seeming to lament with her. The dead body is carried away. The poisoner woos the Queen with gifts: she seems loath and unwilling awhile, but in the end accepts his love. [Exeunt. Oph. What means this, my lord? Ham. Marry this is miching mallecho; 1 it means mischief. Oph. Belike, this show imports the argument of the play. Enter PROLOGUE. Ham. We shall know by this fellow: the players cannot keep counsel; they 'll tell all. 1 Secret wickedness. Oph. Will he tell us what this show meant? Ham. Ay, or any show that you'll show him : be not you ashamed to show, he'll not shame to tell you what it means. Oph. You are naught, you are naught: I'll mark the play. Pro. For us and for our tragedy, Here stooping to your clemency, Ham. Is this a prologue, or the posy of a ring? Ham. As woman's love. Enter a KING and a QUEEN. P. King. Full thirty times hath Phoebus' cart gone round Neptune's salt wash, and Tellus' orbed ground; P. Queen. So many journeys may the sun and moon Make us again count o'er, ere love be done! So far from cheer, and from your former state, 1 Splendor, lustre. That I distrust you; yet, though I distrust, know; Now what my love is, proof hath made you shortly too : 2 My operant powers their functions leave to do; P. Queen. O, confound the rest! Such love must needs be treason in In second husband let me accursed! my breast: None wed the second, but who kill'd the first. P. Queen. The instances, that second marriage move, Are base respects of thrift, but none of love; A second time I kill my husband dead, When second husband kisses me in bed. P. King. I do believe you think what now you speak, But what we do determine oft we break. 1 i. e. in proportion to the extent of my love. |