Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volumen28Gale Research Company, 1984 |
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Página 187
... experience through Shakespeare's script for Henry VIII , it is there- fore first necessary to trace how our renderings of it both derive from and yet contrast with the accumulated theat- rical experiences of earlier audiences . For ...
... experience through Shakespeare's script for Henry VIII , it is there- fore first necessary to trace how our renderings of it both derive from and yet contrast with the accumulated theat- rical experiences of earlier audiences . For ...
Página 325
... experienced since the very beginning of the play . Thus , it would appear justifiable to argue that the structured design of the nar- rative , both temporal and spatial , is the basis for the en- tire body of audience experience , which ...
... experienced since the very beginning of the play . Thus , it would appear justifiable to argue that the structured design of the nar- rative , both temporal and spatial , is the basis for the en- tire body of audience experience , which ...
Página 365
... experience but his ob- servation , an impersonal rather than a personal relation ( pp . 266-8 ) . Malone stuck fast to his position , finding grounds for Shakespeare's experience of jealousy in doc- uments , anecdotes , and the plays ...
... experience but his ob- servation , an impersonal rather than a personal relation ( pp . 266-8 ) . Malone stuck fast to his position , finding grounds for Shakespeare's experience of jealousy in doc- uments , anecdotes , and the plays ...
Contenido
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York