Mediation and the Communication MatrixP. Lang, 2003 - 179 páginas The media alters one's experience of the world and, in turn, alters one's relationship to others. This is true of both the book and the screen, but with profoundly different consequences. The omnipresent screen of the early twenty-first century serves as a portal that reconfigures private and public experience in ways that are fundamentally different from print culture. Not only does the screen reveal the complexities of people and places beyond our reach, it alters our phenomenological awareness of space, sound, and motion. The individual experiences the altered duration of the screen, and the larger community displays the consequences of that altered duration. This book discusses how the screen in its myriad forms has contributed to an emerging view of the self in American culture that is unique to our time. |
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Página 2
... movement very different from natural physiological rhythms . As Gillo Dorfles explains , " attendance at a cin- ema or television performance elicits various extremely bizarre phe- nomena which must be considered adjuncts of our epoch ...
... movement very different from natural physiological rhythms . As Gillo Dorfles explains , " attendance at a cin- ema or television performance elicits various extremely bizarre phe- nomena which must be considered adjuncts of our epoch ...
Página 55
... movement . The surround sound of a wide screen can intensify all the senses . One avenue for understanding the current mix of media is to ask how the sensorium is altered . We live in a furious cacophony of sound and sight and movement ...
... movement . The surround sound of a wide screen can intensify all the senses . One avenue for understanding the current mix of media is to ask how the sensorium is altered . We live in a furious cacophony of sound and sight and movement ...
Página 74
... movement . When one's use of media becomes ubiquitous , that montage of image , movement , and sound is internal- ized . The residue of phrasing and tempo shapes one's subliminal re- sponse to the world . If you doubt that the impact of ...
... movement . When one's use of media becomes ubiquitous , that montage of image , movement , and sound is internal- ized . The residue of phrasing and tempo shapes one's subliminal re- sponse to the world . If you doubt that the impact of ...
Contenido
EARLIER REVOLUTIONS | 39 |
ALTERING THE CONSTRAINTS | 61 |
THE SOCIAL CONSEQUENCES | 95 |
Derechos de autor | |
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Términos y frases comunes
altered duration alters one's American argues auditory autonomy capture century challenges changes Chapter communication matrix communication technologies concept of individualism consequences contributed created dichotomy distinction dium elements emergence ence environment explain figure and ground figure-ground film foregrounds forms of communication gestalt grasp Havelock horizon human sensorium images images and words impact influence inner and outer inner experience Inuit isolation kinesthetic language lived media extend media literacy medium Merleau-Ponty motion one's experience one's perception one's relationship oral culture orality to print outer experience perience person perspective phenomenological Plato possible postmodernism print culture private and public privileged provides reveals revolution screen alters secondary orality sense sensory shared shift social domain social world sound space conception spatial speech structure television thinking tion traditions transition from orality understand variable-flex space vidualism virtual reality visual Walter Ong words writing