She gives thee a garland woven fair, It is a fool's-cap for thee to wear, Beware! Beware! Trust her not, She is fooling thee! Wordsworth near the beginning of this century gives this loving tribute to womanhood: She was a Phantom of Delight She was a phantom of delight When first she gleamed upon my sight; To be a moment's ornament. Her eyes as stars of twilight fair; I saw her upon nearer view, A countenance in which did meet Praise, blame, love, kisses, tears, and smiles. Edgar A. Poe, than whom no one possessed a greater mastery of the true music of verse, penned these lines: To belen Helen, thy beauty is to me Like those Nicean barks of yore, On desperate seas long wont to roam, Thou wast all that to me, love, All wreathed with fairy fruits and flowers, Ah, dream too bright to last! Ah, starry Hope! that didst arise But to be overcast ! 66 A voice from out the Future cries, 'On, on!" but o'er the Past (Dim gulf !) my spirit hovering lies Mute, motionless, aghast ! For alas! alas! with me The light of life is o'er! No more no more no more (Such language holds the solemn sea And all my days are trances, And all my nightly dreams Are where thy dark eye glances, In what ethereal dances, By what eternal streams. And Burns catching the music of the Scottish river surrounds his Mary with the soothing atmosphere of his love: Flow Gently, Sweet Afton Flow gently, sweet Afton, among thy green braes, Flow gently, I'll sing thee a song in thy praise; My Mary's asleep by thy murmuring stream, Flow gently, sweet Afton, disturb not her dream. Thou stock-dove whose echo resounds through the glen, Ye wild whistling blackbirds in yon thorny den, Thou green-crested lap-wing, thy screaming forbear, I charge you disturb not my slumbering fair. How lofty, sweet Afton, thy neighboring hills, Far marked with the courses of clear winding rills; There daily I wander as noon rises high, My flocks and my Mary's sweet cot in my eye. |