Terence DaviesManchester University Press, 2004 - 246 páginas Terence Davies has made some of the most innovative, harrowing, and hauntingly lyrical films of the contemporary era. This study of his work combines detailed analysis of all his films with an investigation of key filmic issues of time and memory, identity and selfhood, and the nature of literary adaptation. |
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Página 111
... The Neon Bible is less alien than might at first appear . True , the setting is remote from the narrow terraces of postwar Liverpool , Catholic ritual has been replaced by evangelical fervour and pubs have given way to drug stores but ...
... The Neon Bible is less alien than might at first appear . True , the setting is remote from the narrow terraces of postwar Liverpool , Catholic ritual has been replaced by evangelical fervour and pubs have given way to drug stores but ...
Página 112
... The Neon Bible could almost be another slice of Davies's autobiography , relocated to America's deep South and provided with a tragic denouement ' ( Horne 2000 : 14 ) . To make matters worse , The Neon Bible was summarily dismissed by ...
... The Neon Bible could almost be another slice of Davies's autobiography , relocated to America's deep South and provided with a tragic denouement ' ( Horne 2000 : 14 ) . To make matters worse , The Neon Bible was summarily dismissed by ...
Página 113
... The Neon Bible : its dramatic narrative development and emotional power , the convincing perform- ances given by the actors ( particularly Gena Rowlands's portrayal of Aunt Mae ) and the stunning photography and camerawork . It had long ...
... The Neon Bible : its dramatic narrative development and emotional power , the convincing perform- ances given by the actors ( particularly Gena Rowlands's portrayal of Aunt Mae ) and the stunning photography and camerawork . It had long ...
Contenido
Framing the director | 6 |
the Terence Davies Trilogy | 34 |
Distant Voices Still Lives | 55 |
Derechos de autor | |
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Términos y frases comunes
actually adaptation already appears articulate autobiographical aware beginning British camera chapter characters child childhood Children cinema complex concern construct context course create critical David Davies Davies's Davies's films detail director Distant Voices earlier emotional entirely escape essential example experiences exploration fact father film's filmic function further given hear House of Mirth identity images important interesting it's Lily Lives London Long Day Closes look meaning memory mother move movement narrative nature Neon Bible never noted novel opening original particularly past performed period photograph play popular position powerful present Press provides reading recognise references reflects relation remembering reveals role scene screen seems seen sense sequence shot significance singing situated social songs sounds space spectator structure suggests Terence Davies thing traditional Trilogy true Tucker understanding University visual