The Sewanee Review, Volúmenes3-4University of the South, 1896 |
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Página 153
... Rabelais Greek naturalism , Montaigne the sceptical and practical realism of Rome , Ronsard turns with a passionate longing to the sun of classic art . So we have to follow out in this century and in those that succeed three main ...
... Rabelais Greek naturalism , Montaigne the sceptical and practical realism of Rome , Ronsard turns with a passionate longing to the sun of classic art . So we have to follow out in this century and in those that succeed three main ...
Página 157
... Rabelais ' humor , or the novel charm of Montaigne's essays . Nor must we forget the numerous translations that now first betray a restless search for new inspirations . The drooping taste for idealized ad- The French Renaissance . 157.
... Rabelais ' humor , or the novel charm of Montaigne's essays . Nor must we forget the numerous translations that now first betray a restless search for new inspirations . The drooping taste for idealized ad- The French Renaissance . 157.
Página 158
... Rabelais ' Abbey of Thel- ema , and no enduring literary schools or traditions . It was not till its very close that the ethical and artistic aspirations of the renaissance were chastened and united by Malherbe , who " joined with a ...
... Rabelais ' Abbey of Thel- ema , and no enduring literary schools or traditions . It was not till its very close that the ethical and artistic aspirations of the renaissance were chastened and united by Malherbe , who " joined with a ...
Página 166
... Rabelais , a remarkably keen and learned man who spent his life in ridiculing with the most bitter satire what he still professed to believe . In his career as in his work there appears at first sight a con- stant vein of insincerity ...
... Rabelais , a remarkably keen and learned man who spent his life in ridiculing with the most bitter satire what he still professed to believe . In his career as in his work there appears at first sight a con- stant vein of insincerity ...
Página 167
... Rabelais ' book as a whole plays less part in literature than some of the characters in it . Gargantua , the giant father of Pantagruel , was generally recognized as typical of the good - humored , easy - going royalty of Francis I. Pan ...
... Rabelais ' book as a whole plays less part in literature than some of the characters in it . Gargantua , the giant father of Pantagruel , was generally recognized as typical of the good - humored , easy - going royalty of Francis I. Pan ...
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Página 292 - Of her bright face one glance will trace A picture on the brain, And of her voice in echoing hearts A sound must long remain; But memory, such as mine of her, So very much endears, When death is nigh my latest sigh Will not be life's, but hers. I fill this cup to one made up Of loveliness alone, A woman, of her gentle sex The seeming paragon — Her health! and would on earth there stood Some more of such a frame, That life might be all poetry, And weariness a name.
Página 290 - A sister to the night !— Sleep not ! — thine image wakes for aye Within my watching breast: Sleep not! — from her soft sleep should fly, Who robs all hearts of rest. Nay, lady, from thy slumbers break, And make this darkness gay With looks, whose brightness well might make...
Página 46 - How sleep the brave who sink to rest By all their country's wishes blest! When Spring, with dewy fingers cold, Returns to deck their hallowed mould, She there shall dress a sweeter sod Than Fancy's feet have ever trod. By fairy hands their knell is rung, By forms unseen their dirge is sung; There Honour comes, a pilgrim grey, To bless the turf that wraps their clay; And Freedom shall awhile repair, To dwell a weeping hermit there!
Página 47 - Who slept in buds the day, And many a Nymph who wreathes her brows with sedge, And sheds the freshening dew, and, lovelier still, The pensive Pleasures sweet, Prepare thy shadowy car.
Página 35 - Car nous voulons la Nuance encor, Pas la couleur, rien que la nuance! Oh! la nuance seule fiance Le rêve au rêve et la flûte au cor!
Página 105 - O World ! O life ! O time ! On whose last steps I climb, Trembling at that where I had stood before, — When will return the glory of your prime ? No more — oh never more ! Out of the day and night A joy has taken flight ; Fresh Spring, and Summer, and Winter hoar, Move my faint heart with grief, — but with delight No more — oh never more!
Página 114 - And, in parting from you now, Thus much let me avow You are not wrong, who deem That my days have been a dream; Yet if hope has flown away In a night, or in a day, In a vision, or in none, Is it therefore the less gone? All that we see or seem Is but a dream within a dream.
Página 104 - We look before and after, And pine for what is not: Our sincerest laughter With some pain is fraught; Our sweetest songs are those that tell of saddest thought.
Página 475 - Before I went into Germany, I came to Broadgate in Leicestershire, to take my leave of that noble Lady Jane Grey, to whom I was exceeding much beholding. Her parents, the Duke and Duchess, with all the household, gentlemen and gentlewomen, were hunting in the park : I found her in her chamber, reading...
Página 188 - The importance of reading, not slight stuff to get through the time, but the best that has been written, forces itself upon me more and more every year I live ; it is living in good company, the best company, and people are generally quite keen enough, or too keen, about doing that, yet they will not do it in the simplest and most innocent manner by reading. However, if I live to be eighty I shall probably be the only person left in England who reads anything but newspapers and scientific publications.